Showing posts with label trade paperback. Show all posts
Showing posts with label trade paperback. Show all posts

Tuesday, October 11, 2011

IN REVIEW: Astonishing X-Men / Ghost Box

It's been a super long time since I did one of my "In Review" blogs for a graphic novel title (not really, since really I just make sure they more official sounding when I blog them on the library's site proper). Usually, official library blogs tend to be uber positive and I gush over just how much I really enjoyed reading a particular trade. But... always being happy with what you read? That's unrealistic. You can't like everything. And while I didn't hate Warren Ellis' take on Astonishing X-Men titled "Ghost Box" - I wasn't the biggest fan of it, either.

Following Joss Whedon's run on an immediate Eisner-award winning book must have been hard. Especially since people loved Whedon's X-Men so much. I enjoyed the fusion of taking two things I love - things written by Joss Whedon and X-Men comic books, and having them combined, but Whedon had a lot of problems when it came to writing the overall storyarcs. Both the Cassandra Nova and ultimate Ord homeplanet storylines made little sense, and while he returned Kitty Pryde to regular X-Men stories for the first time in years, he also effectively removed her by chucking her into the infinite vastness of space. Way to be cool and suck all at the same time.

Tuesday, December 14, 2010

25 Graphic Novel Reviews: A Retrospective

Monday, December 6, 2010

VINTAGE - Good for the Soul, The Boys

Have you heard of The Boys? Well if you had, they wouldn't be doing their job very well. These five individuals, sort of freelancers that kind of work for the CIA, are called in when superheroes... well, when they don't act very heroic if you get my drift. Garth Ennis, the series' writer, really gives the finger to modern superhero culture in this book. In just one example, a supporting character known as "The Legend" - a crotchety old man who is in essence Stan Lee - swears, drinks, and throws around terms like "no prize" just so you know who he's a parody of. Fun stuff like that. The Boys are; Butcher, the leader and general sociopath (at least when it comes to heroes). Mother's Milk (or "M.M." for short), basically a guy who likes everything neat and orderly but that you really don't mess with. The Frenchman, who is often used as a kind of muscle for his tendency to go into fits of horrible murderous rage. The mute Female (of the Species) who, even with the not talking, is actually the scariest one of the bunch. Finally, Wee Hughie. A Scotsman who's girlfriend was killed with practically no regard by a speedster, he's often the voice of reason in the sea of superhero chaos. That, and he's generally a nice guy.

Monday, November 29, 2010

VINTAGE - Live Fast, Runaways

VAUGHAN, Brian K. Runaways: Live Fast. Marvel Comics, 2010 (originally published 2006/2007). ISBN: 9780785141556

There's nothing like a little vintage Runaways to get me in the holiday spirit. I can't really claim to be a fan of the shrunken manga style that Marvel Comics is now publishing them in, so when I was using my Turkey Day coupon to pick up a graphic novel at my favorite bookstore, I opted for the 'normal' oversized option. It's much more preferable. What's that? You've never heard of Runaways? Well, it's an amazing series by Brian K. Vaughan about a group of kids who, you guessed it! Ran away. Specifically from their parents who turn out to be a group of evil supervillains bent on wiping out most of humanity. You know, so they could be immortal. And they all hated each other because only half of them would win that special prize. Anyway, the parents sacrificed a young innocent girl once a year for power and usual sacrificial jazz. The only problem is that one year their kids see them. This is when they hatch their plot their plot to run away. To Breakfast Club-ise this, there's the Nerd (Alex), the Goth (Nico), the Jock (Chase), the Weirdo (Gert), the Princess (Karolina), and the Kid (Molly). At this point in the story, both Alex and Gert have died in separate incidents; new members Victor and Xavin have joined the team in their place. Throw in an awesome dinosaur (named 'Old Lace') telepathically connected to Chase, as well as a transportational 'Leapfrog' with an attitude, and you have the whole team.

Tuesday, November 23, 2010

VINTAGE - Superman/Batman: Supergirl

LOEB, Jeph. Superman/Batman: Supergirl. DC Comics, 2005. ISBN: 1401202500

Just when you thought all the superhero action was over, I'm throwing a wonderful combo at you just before turkey day. TWO superheroes for the price of one. A little title DC Comics likes to call Superman/Batman. They slap those two wacky kids together just to see what wacky highjinks will ensue. In this one, the second volume that happens to be penned by Jeph Loeb from Batman: Hush acclaim, he reintroduces Supergirl into mainstream continuity. Hasn't there always been a Supergirl, you ask? Yes. Sort of. Since the late fifties. Sort of. Loeb does his best to explain the situation in a, I'll say it, poorly written foreward to the book. He uses a rollercoaster analogy because apparently some high-up muckity much at DC was riding a "Superman-themed rollercoaster" and saw that Supergirl's biography was kind of horrible. It described her a protoplasmic lifeform. P.S. I totally know which coaster they were referring to. It's totally Bizarro at Six Flags! I was there! And the best part of that was totally reading the bios while I was waiting in the line. I'm a nerd who reads comics. Rollercoasters are kind of scary.

Saturday, November 20, 2010

FALL OF THE MUTANTS: New Mutants

CLAREMONT, Chris. X-Men: Fall of the Mutants. Marvel Comics, 2001 (originally published in 1988). ISBN: 0785108254

The story here is not incredibly strong, especially if you haven't read the issues leading up to this. The New Mutants were a team of "junior" X-Men, sort of a second generation of X-Men teenagers after the original had pretty much reached adulthood. Like the team that was introduced in Giant Size X-Men #1, this team was supposed to be a little more international, to show that mutants were more than a bunch of caucasian Americans. There nine "official" New Mutants as of the first 50 issues; of these, only seven actually appear in this story. Here it's Cannonball, Mirage, Magik, Cypher, & Wolfsbane. It's kind of later on in the New Mutants history, which lasted 100 issues and served as a precursor to X-Force in the early nineties. Shatterstar, who I've talked about before, first appeared late in the run of the New Mutants. I actually really like the stories. Chris Claremont created it and wrote it for a long time. At this point, Louise Simonson was writing the title in Fall of the Mutants. I like Louise Simonson as a writer, but kind of hate what she did to these poor mutant kids. This story is a perfect example.

Monday, November 15, 2010

VINTAGE - Rest [New York Comic Con]

POWERS, Mark. Rest, volume 1. Top Cow Productions, Inc. 2010. ISBN: 9781607062103

This post will mostly be about the first volume of Rest by Mark Powers, Shawn McManus, and Marco Castiello. It will also be at least partially about my experience at New York Comic Con last month since my attendance there is the whole reason I both discovered this title and purchased it. The scans are going to be of the main character John, because I think he's supposed to be visually based on Milo Ventimiglia. There were also a lot of panels of him in his boxers and HEY, who doesn't love that? I know I do. It's also worth noting that I totally slightly ripped the top of one of the pages in this trade to give you those scans. That's dedication, people. It's also a little infuriating; this cost me $30.00. It was kind of worth it, though. I got to meet not only the aforementioned Milo Ventimiglia, but pretty much everyone who involved in making this comic. And they all signed it. Which... actually? Makes it kind of more sad that I ripped it. Even if it was just a little bit.

Friday, November 12, 2010

FALL OF THE MUTANTS: X-Factor

CLAREMONT, Chris. X-Men: Fall of the Mutants. Marvel Comics, 2001 (originally published in 1988). ISBN: 0785108254

It's part two of our Fall of Mutants series. This time, we are focusing on the original team of X-Factor. I actually briefly talked about their formation during the Phoenix Rising post since that included X-Factor #1 as the very last tale. This particular story took place over three issues from X-Factor #24 - X-Factor #26. It's not exactly the most finely crafted story, but it does introduce several elements that factored into the early nineties run of X-Men that I really loved. The first was Apocalypse as a villain. While Apocalypse had previously appeared in X-Factor #6, he's really introduced as a supervillain here. Why is that, you ask? Well, because Warren Worthington III is revealed as alive and as Death, one of Apocalypse's horsemen in the early pages of this story. Many interpretations of Warren becoming Death (and ultimately Archangel) show him as an unwilling participant in his own transformation. This story very clearly puts the blame on Warren; while Apocalypse goes to him and gives him the option to become one his servants - to "fly again." Totally not mind-controlled. Warren readily accepts his fate as he, at this point, literally had nothing else to loose.

Saturday, November 6, 2010

FALL OF THE MUTANTS: Uncanny X-Men

CLAREMONT, Chris. X-Men: Fall of the Mutants. Marvel Comics, 2001 (originally published in 1988). ISBN: 0785108254

Let us harken back to the eighties... to a time when only nerds loved The X-Men.

In 1988, Marvel Comics ran a sort-of crossover between Uncanny X-Men, the New Mutants, and X-Factor. These were the only X-Men related titles at the time. There's now something like two dozen. Like I said, different times. One of the reasons I'm going to be tackling each "chapter" individually is because the titles don't really intersect. At all. While all of them have to do with the nation's growing concern over "the mutant menance" in general; the X-Men are fighting a mystical god-like being in Dallas, the New Mutants are confronting beast creatures on a weird island in the middle of nowhere, and X-Factor is fighting one of their own. Like I said, nothing really connecting them on any one particular point. The Uncanny story is my favorite, so I'm kind of glad to be talking about that one first.

Wednesday, November 3, 2010

VINTAGE - Those Left Behind, Serenity

WHEDON, Joss & Brett Matthews. Serenity: Those Left Behind. Dark Horse Comics, 2007. ISBN: 9781593078461

Let's talk about the Serenity graphic novel.

It's good. Let's just start there. This story, which actually ran for three Dark Horse comic issues, is collected in this awesome hardcover. I remember because I bought all the issues as it came out. Which was hard, because they were selling out fast. Each issue had three different covers, highlighting one of the nine main stars of Firefly. Unlike many other Vintage titles, it's actually still in-print so you can buy it for your library. And buy it you should. Did I mention it's good? There's a co-writing credit here between Joss Whedon and Bret Matthews. I don't know who did what; let's assume, in typical Joss Whedon comics-fashion that he did much of the story plotting and Bret did much of the nitty gritty writing stuff, like say... dialogue. You can't really tell, because this is so spot on with both the show and the movie that it's a piece of the universe everyone should read in order to... yeah, I'll say it... stay shiny.

Monday, October 25, 2010

VINTAGE - Batman Forever Adaptation

O'NEIL, Dennis. Batman Forever: The Official Comic Adaptation of Motion Picture. 64p. DC COMICS, June 1995. ISBN: 1563891999

I know what you're thinking. They didn't. But oh yes, they did. They made it into a graphic novel. And what's worse: I'm actually going to review it. I did, however, make a promise to you about going through all the old treasures in my collection... and Batman Forever is in there. Sadly. It's actually been republished, too. There are different covers I've found. Dennis O'Neil, who is actually a great Batman writer, has his name on this piece of poo. That's surprising. If you aren't familiar with Joel Schumacher ruining the Batman film franchise, this is a loose adaptation of the movie with the same name. It revolves around Batman stopping an already established villain Two-Face, inadvertently creating a new enemy in The Riddler, and gaining a new partner in circus performer-turned-orphan Robin. Like most graphic adaptations and novelizations, this was most likely adapted from the original screenplay to coincide with the release of the film. Both came out in the summer of '95, so it's a fair assumption for this title.

Saturday, October 23, 2010

VINTAGE - Lost & Found, Spike

TIPTON, Scott. Spike: Lost & Found. IDW, Jan. 2006. illus. by Fernando Goni, Impacto Studios. ISBN: 1933239972

I remember not really liking this graphic novel very much the first time I read it. After re-reading Spike: Lost & Found, I have to say... maybe I was a little to harsh. It does have a few continuity errors in it, but it's kind of a cute story overall. Angel is in the story as much as Spike is. I think it really should have been titled "Spike and Angel: Lost & Found" because that would have been a little more accurate. Anyway, like the last vintage post on a Spike comic, this was pretty early in IDW's publishing run of Angel-themed comics. They ended up being pretty expensive for fewer pages, and the stories weren't that compelling. Like the last IDW Spike comic, you can see from the panels I've scanned that they've used that too rich, painting-esque art that I'm not really a fan of. I actually think the work might be digital, using Photoshop to digitally alter real shots of James Marsters. Reading all of those Scott Allie editorials in the back of Dark Horse Buffy comics has totally paid off.

Wednesday, October 20, 2010

VINTAGE - Hunting Ground, Angel

GOLDEN, Christopher & Tom Sniegoski. Angel: Hunting Ground. 80p. DARK HORSE COMICS, August 2001. ISBN: 1569715475

Picking up where my last Vintage post on Angel left off, "Hunting Ground" is the next book is the rough sequence that Dark Horse published when it bound copies of the first monthly series. As a fun treat, there's a story here that was originally published in Dark Horse Presents #155. Meaning it wasn't in the original monthly series, so I didn't read it when it came out. Actually, re-reading the story... I'm not sure I actually ever read the Dark Horse Presents story. So it's a true vintage post, since I discovered something new from something old. Pretty much the best thing you can hope for when you are reading old trade paperbacks. So I'll break down the story in two parts; first, we get the aforementioned story I may or may not have read but definitely do not remember. We will also get the story proper, which concerns what I believe is Wesley's introduction into the comics and a fun story involving Angel being framed for murder.

Monday, October 4, 2010

VINTAGE - Phoenix Rising, The X-Men

STERN, Roger & Various Auth. X-Men: Phoenix Rising. 112p. MARVEL COMICS, May 1999. ISBN: 9780785107118

Jean Grey. She's a superhero who hasn't had a lot of luck with codenames. Originally, she was called "Marvel Girl." Pretty quickly she became a woman, so that name didn't stick. Then she got cosmic-powers in the eighties and started calling herself "Phoenix." Then she saved the universe. She was still cosmically powerful though, and an old enemy (Mastermind) with some new villains (The Hellfire Club) were able to warp her mind and turn her evil. The X-Men couldn't really stop her. The intergalactic Shi'Ar couldn't, either. While on the run with her main squeeze Cyclops, she watches helplessly as he gets shot with what she thinks is a mortal wound. She goes apeshit crazy, kicks everyone's ass, then sacrifices herself for the sake of the universe. It sounds corny, but it's still widely regarded as one of the great comic stories of... well, ever. Chris Claremont wrote the story. It was ballsy, because he essentially killed off one of the original X-Men forever.

Sunday, October 3, 2010

VINTAGE - Old Times, Spike

DAVID, Peter. Spike: Old Times. 48p. IDW, 2005. ISBN: 1933239972

The whirlwind weekend of Buffy inspired trade paperbacks has me writing up a storm. Today though, we are not focusing on Buffy or Angel, but the thorn in both their sides: Spike. Our friendly neighborhood English vampire didn't start getting his own titles until a few years back, when Dark Horse gave up the rights to publish Angel comics. A small independent publisher called IDW picked it up and they've been making Angel comics every since. I think Dark Horse is getting back the license sometime in the next year, but if the current Buffy comics are any indication, the new Angel Dark Horse comics might not be any better than the IDW ones. Spike: Old Times is an example of the early IDW stories. It was a short (maybe the length of two full comics) one-shot I think largely intended to see if people would buy solo Spike comics. Since they still publish them, I guess it worked.

Saturday, October 2, 2010

VINTAGE - Earthly Possessions, Angel

GOLDEN, Christopher & Various Auth. Angel: Earthly Possessions. 80p. DARK HORSE COMICS, June 2001. ISBN: 1569715335

In the olden Dust Waltz days of Buffy Comics, Dark Horse also acquired the rights to publish comics for Buffy's spinoff series Angel. The original Angel series was entirely written by Christopher Golden. Chris is from Boston and did book signings in New Hampshire on a pretty regular basis, so I got to meet him a number of times. He wrote a Spike & Dru novel, as well as many other books and even video games for the extended Buffy universe. He got Buffy, and often found the characters' voices when he was writing them. The Angel series didn't end up lasting more than a year and a half. This is ultimately sad, since the Angel stores I'm going to review here are pretty much the best examples of how Buffy/Angel stories can work in comics. Also, I have this graphic novel autographed by him. That's pretty neat. If you don't know, Angel is Buffy's ex-boyfriend who had a bicentennial. Cursed by gypsies over a hundred years ago, he is a vampire with a human soul. After he and Buffy break up, he moves to L.A. and starts up a detective agency. He helps the helpless.

Sunday, August 29, 2010

VINTAGE - Beauty & the Behemoth, Hulk

On impulse, I decided to comb through the racks of discount graphic novels at Midtown Comics one afternoon. I was in the mood for something older, something that reminded me why I fell in love with comics in the first place. They didn't have much, but they did have an older trade paperback of Incredible Hulk issues that caught my eye. As a big fan of Peter David's work on X-Factor and of the author in general, it's hard to believe I haven't read a lot of his 11+ years that he spent writing The Incredible Hulk. I decided, what the hey? It was worth a shot. The Hulk is never my first choice for comics, red or otherwise, but I figured David's work would be strong. He also wrote an introduction and a conclusion for the book which was a nice touch.

This volume jumps around a lot. So much so that it's hard for me to sum it up in a few paragraphs. This was published in the '90s before trade paperbacks really told a coherent story, so it's more of a 'best of' collection of Betty Ross's relationship with Bruce Banner/the Hulk. It tells the origin of The Hulk, which is nice for first-time readers. This is mainly because the first issue is where Bruce and Betty meet. It then goes into a story where Betty is already a gamma-inspired villainous called the Harpy with really no explanation as to how she got that way. If such things don't bother you (I'll admit, it didn't bother me as much as you might think) then just go with it. Don't know why the Harpy story really made it into the collection, other than it's referenced in the very last issue as a throwaway line in the last issue and Bruce cures her while she is the Harpy, I guess proving his love or whatever.


The idea of following an epic love of two characters sounds like a good idea on paper, but so many different things have happened to The Hulk over the years that it means whatever stage of transformations he's in is going to be hard to follow. For instance, The Hulk is the grey Hulk by the time you get to the McFarlene-drawn story (don't get excited about that, it's definitely not his best work) you kind of wish you knew more about what happened in the in-between periods. The last story I reviewed, Spider-Man: The Birth of Venom did have little prose pieces in between the reprinted issues to tell you something like, "Peter Parker broke up with Felicia Hardy; he then marries Mary Jane." Stuff that would obviously good to read, but doesn't really directly relate to oh, say the aforementioned birth of Venom. I think it's kind of integral to know what's going on with The Hulk to better understand the story here, as Peter David's storyline for the character just made him too dynamic to read snippets of.

This collection is not in-print anymore, which I'm not actually going to lose sleep over. The earlier stories, including the Hulk's origin and the Harpy tale, are not written by Peter David. The art is also all over the place, and it prevents the volume from that cohesive feeling I think you're supposed to get from reading a collected work. I think it was good to read these stories and have them stored away in my vast knowledge of comic book history, but reading some of the now-published Essential collections might give a reader a better conception of The Hulk's story overall. The cover is also epically horrible. While Bruce's relationship with Betty is obviously integral to his story as a whole, it's really not enough to base a collection on. That's why this trade paperback just doesn't hold up.

Tuesday, June 8, 2010

VINTAGE - Robin Year One

Batman Schmatman. If it came down to which character I really love in the dynamic duo, it hands down has to be Robin. Let's face it, the Boy Wonder rocks. He's a pre-teen, butt-kicking superhero in his own right.


Robin Year One by Chuck Dixon deals with the early days of Dick Grayson donning his mask and tights. Narrated by Bat-butler Alfred Pennyworth, this trade paperback deals with some of the early reactions to Batman suddenly having a little kid he introduces around as his "partner." Jim Gordon, still a Police Captain and not yet a Commissioner, seriously has a problem with it. Gordon and Batman are barely on speaking terms over the whole thing. Meanwhile, the recently escaped Two-Face sees Robin as an easy target, ultimate proof that the Batman "has a heart." As the Joker rises as Batman's ultimate villain in most of the great stories, it's really Two-Face here who is this Robin's primary antagonist. In this tale he is one scary dude. Or is it two dudes? I always get confused when it comes to good ol' Harvey Dent.

Besides the looming threat threat of Two-Face, Robin also faces off solo against the mind-controlling Mad Hatter and the chilling Mr. Freeze. New villain Shrike, a child stealing killer from the League of Assassins, also lends an element of danger towards the tale's climax. There's also fun cameos from villains like Killer Moth, the original Blockbuster, and The Joker. The graphic novel includes a lot of foreshadowing moments which, if you read a lot of Chuck Dixon's contemporary work on the Batman titles, make you smile with childlike glee. Also when the Joker says he called "dibs" on Robin, it's slightly disturbing; it is the smiling clown who is the villain that ultimately kills Grayson's replacement, Jason Todd, after the latter assumes the Robin role. It's interesting that Batman is relegated more to a supporting role, with Alfred featured more as the person taking care of Dick and forming an interpersonal "fatherly" relationship with him. It's obvious that Dick being in Wayne Manor makes both Bruce and Alfred happier, and "lightens the mood" - which was the whole point of Robin's creation in the first place.

I don't usually gush about the art, but here? It's good. Beatty's style initially looks simplistic, but once the action starts happening, your mind fills in all the blanks between his pointed panels of intense physicality. When Robin is taking down Shrike's kiddie ninjas, or leaping out of the way of Mr. Freeze's ice gun, you are right there with him every step of the way. Some scenes, especially as Robin sneaking up on people, don't even have words on them; you really don't need any further explanation. He constantly has characters drawn partially obscured; when Robin is "fired" for instance, you see the tears streaming down his face but not his actual eyes. Two-Face is often shown part-in focus, depending on how monstrous Dixon is writing him in the particular part of the story. It really sets the scene for Dick one day becoming Batman, which if you read current issues of "Batman" out by DC Comics, you know is the current Bat-plan. It's worth trying to track this one down, buying it, and then loving it for all time.

Monday, June 7, 2010

VINTAGE - Age of Apocalypse, X-Calibre

Let's go back to a magical time; it's the early nineties, and the X-Men still have a kickass cartoon on FOX's Saturday morning line up. With the resurgence of interest in the merry band of mutants, the editors of Marvel Comics did several creative storylines to highlight what was the best selling group of comic books in the world.


None of these events were better than the "Age of Apocalypse" - a crossover between all the X-books where reality was changed for the worse. David Haller, the bastard son of Charles Xavier, was a schizophrenic psychopath who was comatose after an encounter with the X-Men and the Shadow King a few years back. When he wakes up, he decides he's going to make his dad love him. How is he going to do that you ask? Well, obviously kill Xavier's greatest enemy: Magneto. So David goes back in time, as X-Men villains often do. A cadre of X-Men follow him back, but fail to stop him at every turn. When he finally closes in on an early twenties before-he-was-evil Magneto, Charles jumps in the way... and David accidentally kills him. Which is cool, because right before David blinks out of existence, he realizes he just made sure that he had never been born. This? Is all background before the actual story I'm really going talk about begins.

This particular collection, which temporarily replaced Excalibur for the four months AoA ran through the X-Men titles, focused on the X-Man Nightcrawler. While still an X-Man in the story, this Kurt (with the last name "Darkholme" here instead of Wagner) is a much darker and violent character. If you point your finger at him, he's probably going to teleport away with it and call you "rude." While our Nightcrawler is usually portrayed as a character who tries to get you to go to mass every Sunday, this particular Kurt "hates churches." Magneto, leader of the X-Men in the Age of Apocalypse, dispatches Nightcrawler on a solo mission to find the mutant precog Destiny. The time traveling Bishop from our world has shown up in this brave new depressing one and is ranting about a world where Xavier never died, and thus Apocalypse did not conquer most of North America. While Kurt really isn't into the idea of making the world a better place, he is motivated to find his mother Mystique, who serves as kind of a pirate leading refugees to Destiny's antarctic refuge nicknamed "Avalon." Mystique is the only person who can identify Destiny and one of the few people who knows how to get to Avalon.

Hot on Kurt's trail are the Pale Riders, which consists of AoA versions of Danielle Moonstar and Deadpool, the latter wittily named here as Dead Man Wade. That's just more fun to say. Wade is kind of a crazy mess, especially since Danielle like to periodically torture him and see how fast he heals. Leading the motley crew is a mutant named Damask, a professional pixie and Apocalypse's go-to gal when it comes to murder and mayhem. When Danielle keeps torturing Wade after Damask tells her to stop, Damask ruthlessly kills her. That's just what kind of girl she is. She also develops an unhealthy obsession with Kurt, imagining that his blue skin probably feels "just like velvet." Several characters who could be overlooked show up in supporting roles throughout the story, including John Proudstar, Callisto, and Doug Ramsey. Juggernaut, who isn't even named here as such, serves as one of Destiny's flock and leads people to Avalon on the tail end of their journey. There's also another original character in Switchback, a white-haired mutant from Detroit who can shunt back her "personal timeline" up to ten second prior. When she has a headache, she uses her power, going back to a time before it started to hurt. I really liked her.

Warren Ellis, the writer of X-Calibre, was doing cool things with Excalibur around this time. He had recently introduced Pete Wisdom, the hot-knife throwing secret agent from the UK who also had a naughty relationship with Kitty Pryde. Excalibur hadn't been selling as well as Marvel hoped in the post-Claremont era, and it was really Ellis's job to make the team interesting again and tell some dynamic stories. This diversion into an alternate world shows his strengths. By focusing on the one character and not a team, he really shows us just how different this alternate Kurt is. And while things really are opposite here, such as Nightcrawler and Mystique having a loving mother/son dynamic of once, it really doesn't feel that way when you're reading the story. I also really liked that Ellis took the opportunity to create two entirely new characters here, an opportunity that was neglected during the "Age of Apocalypse" because I guess it was more fun to see alternate versions of all the characters we had seen already.

While the trade collection of X-Calibre by itself is long out-of-print, Marvel Comics has recently published omnibus editions of the entire "Age of Apocalyse" saga following it's tenth anniversary. Jeez, I remember when these single issues were first published. I feel old. Anyway, my point is that this is one of few stories you'll actually be able to track down if you really want to read it. I recommend giving this alternate world a chance since many of the X-Men, Nightcrawler included, were super badass.

Wednesday, May 19, 2010

VINTAGE - Wolverine & Punisher: Revelations

As promised, it's time to talk about comic books collections you'd love to buy, but are currently out of print. I've decided to dust the ol' girls off on my bookshelf and share a little bit about them.


My primary reason for reading our first selection was the fact that Christopher Golden had a fair hand in writing it. After penning The Punisher's rebirth as a "weapons of heaven" reborn supernatural creature, the next step was obviously pairing him with Wolverine for a fun save-New York City adventure. Wolvie, who just got a brand new gal pal named Caley, is uncharacteristically happy when we begin our story. He's dressed to impress as he meets his new beau, a museum curator currently working on excavating on old forgotten subway station, for a fancy dinner. While the pair flirt on their night out, Caley is interrupted with news of a cave-in at the dig. Wolverine has his trusty motorcycle, so they both scoot off to see whats wrong.

Meanwhile, Frank Castle (the aforementioned 'The Punisher' just in case you kids didn't know) is also hanging out with his new platonic lady friend from his previous rebirth story. You don't need to read it, but it was a nice nod from Mr. Golden just in case you did. He's eventually whisked away to meet something called The Council of Thrones. Who are these kidnapping jerks, you ask? Well, they oversee all of the activities of angels from Heaven on Earth. Obviously. The Punisher was brought back to life by an angel and retains some of his supernatural mojo, so the Thrones have decided they oversee his activities, too. Castle isn't impressed by how weird they look or how powerful they seem to be, so he basically peaces out. The Thrones warn him something bad is coming...


Which brings us to Revelation. Not the biblical event, mind you, but a young girl who was awakened by the aforementioned excavation mishap. A former Morlock (you WILL be lost if you don't know the Morlocks were underground sewer-dwelling mutants, too ugly for the world above. Wolverine tries to explain this to Frank later on, but in Logan''s typical style, it's sort of hard to decipher since he's trying to sound too cool), Revy was cryogenically frozen by a Morlock scientist with a really cool name. Turns out our girl has the power to kill people with a 'death aura' - an airborne virus she can't control. She was frozen until a cure could be found, but in a separate story in X-Men related comics, all the Morlocks were killed and everyone forgot about her. Being in the big chill for so long warped her mind, so she believes the sewers are Hell and the surface above, "the light" is Heaven. Both Wolverine (mutant healing factor) and The Punisher (angel-enhanced powers) are unaffected by her powers, so the pair race to stop her before she kills most of Manhattan.

The manga-inspired art is beautiful to look at in this trade paperback, but doesn't necessarily go with the gritty story Golden and his co-writer Tom Sniegoski were originally going for. Pat Lee is drawing things almost too beautifully, too heavenly if you will, for a story that essentially takes place in the "hell" of the New York City sewers. While Wolverine insinuating about his "family" during his date (an obvious nod to how he feels about the X-Men) is cute, the very notion of a "Morlock scientist" who could design technology as sophisticated as what Lee's artwork shows is almost preposterous. The Morlocks were stealing food and wearing rags in early X-Men stories; you're telling me one designed a cryogenic freezing chamber along with "failsafe" robots capable of ramming rebars through Frank Castle? WHAT? I would imagine all of the design stuff would be a little less sophisticated, which would have made more sense with the "malfunction" that set Revelation free. I guess no one really loved the angelic-inspired Punisher; in this story, he doesn't do a whole lot in the beginning part of the story besides kind of wander around. Wolverine really shines here, and he looks pretty good. It was fun re-reading the story and I'm glad it is still part of my permanent comic collection